In the original version of the opening, almost all of the riot scene is covered by ‘Burnin and Lootin’. I thought I would take a different approach, having only a short section covered by my music, with the rest being … Continue reading →

For the opening of La Haine, Kassovitz used “Burnin’ and Lootin’” a song by Bob Marley and the Wailers from their 1973 album “Burnin’”. The song captures the social and political unrest of the time, particularly in Jamaica. It addresses … Continue reading →

Today I decided to have a session on honing in my explosions and impacts. After watching many sound design youtube tutorials, I devised my own method in which to create an explosion. First, I needed an impact. I had many … Continue reading →

Today I went around different areas of south London, trying to record the sounds of the street. I was looking for a variation of sounds. To include, quiet street ambience, loud traffic, a couple variations on sirens, and a strong … Continue reading →

The intricate interplay between sound and image in the opening scenes of  La Haineis fascinating, isn’t it? Kassovitz’s deliberate use of sound not only sets the tone but also constructs layers of meaning that resonate throughout the film. The juxtaposition of … Continue reading →

Theoretical discussions around the role of music in cinema often revolve around its integration into the film’s narrative world. While historically, music was considered an add-on to the visual, recent perspectives challenge this view. Claudia Gorbman highlights that music in … Continue reading →

I have booked foley room today to collect some sounds. I have a list of sounds that I think I will need. I am going in with the ethos found in the pinewood studio, that gathering more than necessary to … Continue reading →

-Sound of fire -Various different street sounds (loud & quiet) -Sirens -Various different types of footsteeps -Fabric Rustles -Impacts -Explosions -Glass Smashing -Impact for car rolling over -Dog Bark -Marker squeak -Clock Tick -Breath In -Swishing sounds for camera movements … Continue reading →

In La Haine, director Mathieu Kassovitz transitions from non-diegetic to diegetic sound to deepen audience immersion. The film starts with non-diegetic music, Bob Marley’s “Burnin’ and Lootin’,” playing over riot scenes. This music sets a contrasting tone to the violent … Continue reading →

Notes relating to music -“The music on La Haine is basically the music that you can hear within the scenes… within ‘real life’ -“A good movie shouldn’t have music” “If you are a good enough director, you should make people … Continue reading →